Displaying items by tag: Danny Rampling
Saturday, 06 February 2021 14:35
The Magnificent Six in Tales of Aggro- Foreword by Steve White (Drummer- The Style Council- Paul Weller)
‘A real slice of life told in the vernacular of the streets’ Irvine Welsh-
'It's a treat to read just like A Crafty Cigarette' - Punk Poet Legend John Cooper Clarke
Published in
Culture
Tuesday, 05 December 2017 17:29
When Positive Energy of Madness met Danny Rampling November 1989
In the winter of 1989, I was privileged and honoured to interview Danny Rampling, for my then fanzine, Positive Energy of Madness. It was about two weeks after he had closed his ground-breaking club Shoom. In my eyes at the time, and even today, the end of Shoom was Acid House’s equivalent to The Jam breaking up at the end of 1982. As Shoom, like the Woking Wonders, meant so much to a lot of people. Personally, I found Shoom inspiring, beautiful and wonderful. I was very late to the Shoom party, yet I was welcomed with opened arms, moving, truly moving as I would dance the night away with a beaming smile on my face.
Published in
Music
Monday, 23 October 2017 15:35
A Celebration of Scottish House Parties
By now, the story of how Acid House and ecstasy was introduced to Great Britain at the end of the 80’s has been told more times than The Hungry Caterpillar has been to kids at bed time by their parents.
Published in
Culture
Wednesday, 01 June 2016 16:39
The UK roots of Acid House by Dean Cavanagh
2017 sees 30 years of Acid House. I’m not usually one for anniversaries; I was happy to hear that Joe Corre - Malcolm McClaren’s son - was going to burn his collection of punk memorabilia to celebrate 40 years of “punk” and that a gang of octogenarians in Bermondsey trashed a load of old washboards to celebrate 60 years of skiffle.
Published in
Music
Saturday, 14 January 2012 17:01
A Rock Steady Banter with Dean Thatcher
When ZANI was Positive Energy Of Madness, (PEOM) and we were a club fanzine, Dean Thatcher was a reader first, then a contributor. ZANI/PEOM and Dean became friends, and we could be seen together dancing on speakers or falling off stages. But I doubt if you are interested in our days of nostalgia. The fact remains that Dean was a good DJ, and in days of acid house and the aftermath, became a crowd puller, along with the likes of Danny Rampling, Andy Weatherall, Phil Perry and Steve Proctor, not just down to his choice of music; his stance with The Smiths “How Soon is Now” at Flying was legendary and truly supported the pioneer days of Acid House.
Published in
Music Archive
Saturday, 14 January 2012 16:55
Andrew Weatherall -Archive -Interview : From PEOM
Andy Weatherall and I didn't always see eye to eye until around 1992 when I climbed onto the decks at “Bagley’s Studio's", whilst he was playing. Something then just clicked with us and he agreed to do an interview. An ideal time to speak to Andy as he was leaving the Boys Own fanzine and embarking on various projects.
Published in
Music Archive
Saturday, 14 January 2012 16:48
Danny Rampling - Archive Interview : From PEOM
1988 was an important year in terms of music and fashion, there was an exciting counter culture emerging, called "Acid House", following in the tradition of Mods of the mid 60's, the hippies of the late 60's and the punks of the 70's, England was buzzing again and there was a media frenzy.Fashion in the mid 80's, was very conservative and not really saying anything. Then there was a slight flirt with 70's fashion, and all of sudden people were dressing down, jeans, trainers, smiley tee-shirts and bandannas, topped with yells of "acid!" Getting drunk was now not the done thing, there was a new drug in town called Ecstasy; "American House wives choice." And by God, they were good.
Published in
Music Archive
Saturday, 03 December 2011 12:58
They Call it Acid
Picture This – London Town 1987. A once swinging city paralyzed by a cult of conformity and materialism. The youth more pre-occupied with getting on the property ladder than getting “on one.” But something stirs deep in the heart of the city’s underground – the sound of pumping bass and percussion. A seismic shift in London’s landscape is about to happen.
Published in
Film Archive
