In the liner notes to P.P. Arnold’s long-overdue release The Turning Tide, Barry Gibb refers to the singer as “a girl inside a woman. Childlike in many ways, and yet her voice was somehow ancient.” His words only begin to describe a too-oft-overlooked voice of the sixties, and the artist behind that voice, whom he brought into the studio to record ten tracks in 1969.
Published in Music
Tuesday, 13 February 2018 12:39

After the Mods: Carnaby Street Today

Although it’s important to enjoy and promote the artistry of the Mod era, just as it is important to celebrate the colourful lives and loves of those who drove it, sometimes it’s hard to resist a brutal examination of just how much things have changed since the days of the racing fifties and Swinging Sixties.
Published in Culture

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