Ronald Wycherley was born in 1940 and brought up in Liverpool. As a child he suffered rheumatic fever which left his heart weak but that did not stop him from becoming a consummate performer. In almost formulaic way his father bought him a guitar, (aged 14) and he taught himself to play. Whilst not the best guitarist he was quite good at writing songs and when he saw the Girl can’t help it (1956) and a friend told him he looked like Eddie Cochrane, he was sold on a career as a rock’roller.
Robert George Meek was born in 1929 in Newent, England. Joe’s mother wanted a girl and dressed him as a girl. Whilst his three brothers were outward going young Joe was introverted and enjoyed staging magic shows for other children and dressing up for his own elaborate theatre productions. His other love was old radios and record players. Joe began building his own electrical gadgets and would rig up speakers so the local cherry pickers could listen to the radio as they worked. Later he became a mobile DJ, travelling the area with his own mobile set up,
© Words Alan McGee
It’s been a busy 6 months and there have been many revelations, Where to start? I have started a label called 359 Music with my old friend Iain McNay from Cherry Red. Iain has been around since the start; he signed my songs as a publisher 33 years ago. There had been talk of my new label for a while and I had the option of running 1123 Records for Warner’s Japan but when it came down to it owning half of the company is a lot more sexy than a 6 figure salary and no shares,
© Words – Matteo Sedazzari
What he said must be spoken quickly, for most of them had no patience. What he said must be put strongly, more acted than spoken, for they had to be hooked to stand and hear.
The Warriors - Sol Yurick
I've been long excited about The Action's "In The Lap Of The Mods" book like it was the second coming. The Action, along with The Small Faces, The Kinks and David Bowie are my favourite 60's artists. From their first single as The Boys all the way down to the material cut before they became Mighty Baby (released in the 80's on a mini LP "Speak Louder Than") and even lead singer Reg King's 1971 solo LP I'm all on board as a one man American cheering section. I'm still, 18 years later, slowly wrapping my head around Mighty Baby.
He could be the king of British Northern Soul, a lost Mod icon, but Graham Dee's air of detached modesty says more about him than either soubriquet. He's just happy to finally see some of his work see the light of day when Acid Jazz released The Graham Dee Connection: The 60s Collection , rounding up just some of the hundreds of tracks he wrote, recorded and produced in that swinging decade when London was the capital of Cool and Graham rubbed shoulders with its most stellar in-crowd.
John Hellier - Mods in the 60s listened and danced to mainly Black American artistes. At the time that was seen as the real thing, it was fairly snobbish really. British bands in the main got their material from this source and even the early Beatles and Stones records are peppered with covers of American R&B classics. Very early Motown (pre- Supremes, Four Tops) records were particularly desirable to Mods, things like “Money” by Barrett Strong, “Shop Around” by the Miracles,
Euston Films produced highly successful series’, for example Van der Valk, (1972–1973, 1977, 1991-1992) The Sweeney (1975 - 1978) and Minder (1979 - 1994), and other highly rated ones such as Special Branch (1969-74), Widows (1983-85) Reilly, Ace of Spies (1983) and a few more . Much of their drama was gritty, usually set in the underworld or fringes of society, all shot on location, as opposed to a studio set, offering a more film style production to their drama.