© Words William Goodchild
Shame on all you studios for passing and congratulations to smarter backers HBO, who picked this up. As if we didn’t need further evidence that we’re in a golden age of television, this lends even more dazzle to that credo. Here in the UK - where it has been granted a cinema release - Behind the Candelabra has been doing very respectable business. Possessing a lot of elements that Oscar so loves, it could also have basked in some awards glory. Like Tarantino, biopics are probably this reviewer’s least favourite genre but this particular one is a real riot. One thing it isn’t, as more than one Hollywood exec remarked, is “too gay”. You might equally argue that this look at Liberace is not gay enough.
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© Words William Goodchild
If someone made this up you probably wouldn’t buy it. Director Ben Affleck brings this stranger-than-fiction tale into vivid and very exciting life.
The year is 1979, the setting Iran. Amidst turmoil and revolution, the US embassy in Tehran is invaded. Hostages are taken but some of the diplomats manage to flee. Six such escapees find shelter in the Canadian embassy and the CIA hatches a plot to get them out. Tony Mendez (Ben Affleck) and his supervisor Jack O’Donnell (Bryan Cranston)
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© Words - CP Lee
In 1993 a man called Cliff Twemlow passed away. When he died at the age of 55 a whole mini-film industry died with him. But Cliff didn’t only just make films, he wrote the plots, scored the music for them and starred in them too. Oh, and he wrote paperback pulp novels as well. And before he made his own movies he wrote a couple of thousand tunes that were recorded and put out by DeWolfe Music. And he was a night club bouncer.
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Wednesday, 05 June 2013 17:16
Best of British - Some People – An Amazing Snapshot of Sixties England
Written by Matteo Sedazzari
© Words Matteo Sedazzari
Some People, made in 1962 and released in April 1963 directed by Clive Donner (What's New Pussycat, Here We Go Round the Mulberry Bush, The Caretaker) is an early British film on Rock ‘n’ Roll. Originally made as a film to get young adults to participate in the Duke of Edinburgh Award, as all profits went to the scheme, it is far from a propaganda film as it can act as a visual case study of the early days of British pop culture.
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© Words William Goodchild
Oren Moverman’s follow-up to the Oscar-nominated The Messenger sees the writer/director again not shying away from challenging subjects and the downright bleak.
Dave “Date Rape” Brown (Woody Harrelson) is an unapologetic misanthrope who is happy to dish out merciless beatings. Sometimes he even shoots people. He’s also a member of the Rampart Division of LAPD, which serves the mostly-Hispanic communities of Downtown Los Angeles. The “Date Rape” '
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© Words William Goodchild
Just when I was tiring of Tarantino he puts a bullet through my heart, a hammer through my skull, and then blows me away with dynamite for good measure. Django Unchained is a film we’ve never seen the likes of before. It has everything: thrills, spills, highs, lows, horror, romance, spectacle, melodrama, and tenderness. (And of course - this being Tarantino - plenty of outrageous violence.) It also provides some big (unexpected) belly laughs I’d not experienced in the director’s ouevre since Marvin got his head blown off in the car.
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Tales of Aggro
