Film Archive (73)

Eric and Ernie had high hopes of breaking into the fresh new medium of television -they felt that they were 'right' for it. So when the critics slaughtered 'Running Wild' their confidence took quite a battering. At the end of the run of six fortnightly shows they returned to the stage to do what they did best - perform in front of a live audience.

Believe it or not dear readers, I never saw any of the original five "Planet Of The Apes" movies until I was somewhere deep into my 20's. Yes, I was more than aware of the gun toting, horseback riding, English speaking apes who have enslaved human beings in a post-apocalyptic future while growing up during the 1970's, but for whatever reason the subject matter and overall concept just never interested me. By chance, I found myself watching Director Franklin J. Schaffner's "Planet Of The Apes" (1968) on cable and soon found myself devouring the subsequent four films, which were all released between 1970-1973. 

On the 25th December 1977 over 28 million people tuned in to a television show that had become a national institution. As much a part of Christmas as the Queen's Speech, Turkey and Plum Pudding, Morecambe and Wise's Christmas Day Special was an event not to be missed. Like most success stories this kind of adoration didn't come overnight. In Morecambe and Wise's case took more than thirty years of hard work, setbacks and refining their act to evolve a style that was quite unique. An act that twelve years after the death of Eric Morecambe, had television viewers voting for them as the Best Light Entertainment Performers of all time. This is their story...

© Words Scott Powhatan Collins

Dear readers, I have long mentioned to you that I am experiencing quite a hefty bout of comic book movie fatigue. But if you happen to be regular visitors to this site, you will also notice that despite my fatigue, I do tend to keep seeing these films so really, in some ways, I only have myself to blame. I guess what I am trying to say when I do mention my sense of comic book movie fatigue is that the presence of a new motion picture based around a comic book character does not inherently excite me or make me want to race to the movie theaters for three explicit reasons.

© Words Scott Powhatan Collins
I have a strong feeling that even for some of the most adventurous movie goers out there, this film will be especially confounding.

Once the end credits scroll completed at the conclusion of "Under The Skin," the latest film from Director Jonathan Glazer, I truly began to wonder exactly what in the hell I was going to be able to write to you. Indeed, I was tremendously affected by the film which is uncomfortable, unsettling, disturbing, and downright creepy as well as visually arresting and completely unlike anything I have seen since the inception of Savage Cinema. It is not a film that I can honestly say that I liked or even disliked, for that matter. But it is unquestionably an effective film that will certainly challenge your perceptions of what exactly a motion picture experience can actually be.